A NOTE FROM ROBERT SKOTAK AND DENNIS SKOTAK:
We would have loved to have been able to work on this, the original GODZILLA film, back in 1954. Being WAY too young at the time---plus the tiny detail of being from a country thousands of miles away---the following is as close as we could come to participating, if only by proxy in what must've been an amazing monster-fantasy film-making experience!
We did this little "experiment", knowing that the director was not able, at the time, to fully supervise the editing of the film (Honda had to go on to another picture), and had experienced some frustration, along with the crew, by any number of financial restrictions. We thought, with all respect to the original creators, maybe we could reach back across the decades and give them a little hand as both a thank you, and an excuse to enjoy the pretend game of "being involved" in some way, with this landmark film.
So, here, we present, through our company, 4-Ward Productions, something we call GODZILLA-PLUS, the original film, with some extra "touches" of visual effects and edit "tweaks", all done in the practical-effects style (real elements combined with original footage): Of course, we had to do this using digital compositing tools, but we utilized them in a manner very much equivalent to the standard film-based"optical compositing" tools available at the time.
Though this was our own pet project of several years back, the 60th Anniversary of GODZILLA's original release seemed a good time to share in our '"experiment": As such, we post the following four sequences to which we applied some new elements (fire, smoke, sparks, flash frames etc), extra camera movement, clean-up, re-timing, high-speed photography (note: the Toho crew did not always have the number of high-speed cameras they wanted to shoot from multiple angles at the same time), and Surround Sound.
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